Have you heard this one before?

- Yeah.

This is really one of his most famous things.

Actually, Rachmaninoff borrowed or actually stole the theme from Paganini.

This is a violin piece.

It goes like this.

This is the theme.

♪♪ And that's where it ends, usually.

But Rachmaninoff repeats it.

♪♪ And it's funny, it just sounds like almost he was making fun of the violinist by having these little ornaments.

♪♪ Almost like his hitting the wrong notes.

Which is quite...

Probably, even if you're trying not to hit wrong notes, it's probably pretty easy to hit wrong notes in this piece, right?

I mean, this is pretty difficult for piano.

We're not supposed to talk about wrong notes.

No, but I mean, Rachmaninoff was one of the greatest living pianists.

So the first set of, I don't know, ten variations or so, they are very traditional.

I mean, you have one variation after the other.

And after that, he kind of takes off because there are so many elements in this piece that he is just so clever how he transforms.

It's almost like something is awakening to kind of take it off to the next level.

For example, a variation 13 is where Rachmaninoff actually changes the theme.

In the piano, you can hear the sound of the bells.

While in the violin you hear the main theme.

♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ What about variation 17?

Yeah, it's a very dark variation, but there is a reason why it is dark.

I will play a bit of that.

♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ Yeah.

And the end of it, it kind o goes on for quite a few pages.

Yeah.

Like a kind of slithering snake.

But then an amazing transformation happens at the end of it.

♪♪ The sun comes out.

♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪